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As for the rest of it… go watch the RedLetterMedia review for a full break down of all the movie’s faults in plot, character, story-telling and everything else.  However, there are a few additional issues I want to point out here:

1. The target audience: 

Were R2-D2 and C-3PO so insufficient as comedy relief that Jar Jar, the rest of the Gungans, the silly pit droids, the two headed race announcer, the comically useless battle droids, and all the other gags were necessary?  No. The film’s many childish elements went beyond a simple need to occasionally relieve the dramatic tension.

Fans of the original trilogy who either saw it back in the day or grew up watching it were adults or teens by the time TPM came out.  We knew that the story of the prequels was an inherently dark tale about the rise of evil where the bad guys were going to win in the end, and that’s exactly what we were looking forward to.  But instead of aiming the movie at us, Lucas apparently decided to try ensnaring a new generation by making this foreboding tale about the triumph of evil a kids movie.  This was a mistake.  Having a child protagonist and a host of silly cartoon characters undermined the inherent seriousness of the subject matter, which in turn ensured that the tale wouldn’t work as a comedic movie for little kids.  It should have been aimed at us, with kids still wanting to see it because it was awesome, and counting it a rite of passage when their parents finally let them.  For my reboot I think a teenage Anakin and a PG-13 style and rating is far more appropriate.

2. Episodic villains:

This isn’t just an Episode I problem, but it has its roots there and my reboot tries to address it.  One of the things that undercut the tension throughout the prequel trilogy is the episodic nature of the villains.  I know that Star Wars comes in “Episodes,” but that doesn’t mean that the villains have to come in a “bad-guy of the week” format where they are introduced and killed off in the same movie.  This format leads to poorly developed villains and is the reason why everyone thought “Who’s that guy, again?” when Anakin started fighting Count Dooku in Episode II, and why everyone, myself included, thought, “Why would a droid have a cough?” the first time we saw Grievous in Episode III.  Yoda said something to the effect that Dooku used to be a Jedi, but we never see that, so we don’t really understand what made him stop being a Jedi or why he’s now a bad guy.  Likewise, Grievous is not a droid but a cyborg who still has living organs, something I realized half way through Episode III when they showed a close up of his eyes, but which we all would have known from the start if he had been introduced and developed in any way earlier on. 

This is an epic trilogy, where each movie forms a part of the same story arc, so there’s no reason why Episodes II and III should look like sequels that were slapped together based on the success of Episode I.  The main villains should all be introduced in the first movie and be developed throughout the series. 

3. Needless complexity and non-mysteries:

The Phantom Menace and the other prequels tend to be convoluted but not really clever, tasking characters with investigating “mysteries” that aren’t very interesting and don’t really matter.  Why try to hide from the audience the fact that Senator Palpatine is Darth Sidious when it’s obvious to anyone who remembers the name “Emperor Palpatine” that he’s the bad guy?  I would establish Palpatine’s duel identity and position as evil mastermind from the very beginning of Episode I.  As others have said, the Phantom Menace’s finale is also overly complex.  With no less than four climatic events occurring simultaneously, the frequent cutting between them all prevents any one from really building up tension.  I’ve pared it down to two in my version.

Finally, I don’t know if this is my own thought or if I just heard it somewhere and have conveniently forgotten the source, but if we’re going to have Anakin start out as a slave on Tatooine, why should we introduce a new character (Watto) who’s a small-time junk dealer when there is already an established Star Wars character who

A: Lives on Tatooine,

B: Is known to own slaves and treat them poorly, and

C: Is powerful and imposing enough to be a stumbling block to any Jedi knight seeking Anakin’s freedom?

So in my version, Jabba owns Anakin. This and the rest of my revisions to the plot are things that I think would help Episode I to make more sense and be more awesome.  You may or may not agree, so feel free to suggest amendments or whole reboots of your own. 




  1. *Jabba owns Anakin*

    Ever see the A New Hope Special Edition when Jabba is horribly, digitally inserted? And then in Return of the Jedi (whichever version) we see Jabba for the first time (though the reveal is sudden and rather flat instead of it being epic, but I digress)?

    It seems like Jabba is a reveal – mentioned in two movies (first from Greedo, and then Han in The Empire Strike Back: “If I don’t pay off Jabba the Hutt I’m a dead man.”), and then seen in the third movie. He was a connective arc that had setup and payoff.

    Make Jabba Anakin’s slave owner and that would destroy the reveal. And inserting Jabba into Tatooine would be like inserting C3PO and R2D2 and every other unnecessary character to create fan service.

    But if Jabba was a muppet like in Return of the Jedi, I wouldn’t mind. The trick with SFX is to make them quick and seamless because the eye can only be duped for so long.

    And RedLetterMedia was the funniest thing ever! By the way, have you seen The Phantom Edit?

    • Jabba is a reveal, sure, but the prequels assume that you’ve already seen Episodes IV-VI. You aren’t meant to watch the prequels before the original trilogy, otherwise the biggest reveal in all of Star Wars — the true identity of Darth Vader — would be utterly ruined.

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